In the week of the much-hyped premiere of 'Disclosure Day', a quiet Saturday afternoon was the perfect time to relax in a movie theater for a few hours for the first time in years. Of course, we had to go see this film for ourselves. In short: well worth it and, as far as we are concerned, a must-see for anyone interested in anything related to our fellow inhabitants of the universe. It’s a film that goes in all directions and certainly doesn’t give you a chance to get bored.
Is it a true Spielberg film? Yes and no; this film is—and feels—different. For us it has more of a documentary-style feel because it incorporates black-and-white footage that you used to see only in the Polygoon newsreels from the early days. For example, you’d see “historical” footage of Richard Nixon with his friend—comedian and actor—Jackie Gleason, who took Nixon to a military base in Florida in 1973 to view deceased aliens.
It contains elements that are funny, very suspenseful, and—for us, at least—highly relatable and therefore moving. In essence, these are references to the real world of today as we perceive it, a world that unfolds primarily on the front side of the theatrical curtain, where ‘who’ we are and our true, ancient history are carefully concealed by a certain clique that holds us in its grip—driven by their dark desires and interests in maintaining power. We found the “historical” images of an ET being completely tortured like a lab rat by a number of “doctors”—which ultimately leads to the death of this captured wretch—to be an emotional moment. Something that still happens today, because “we” (yes, help, blushing with shame) shoot them out of the sky while they want to help us raise our consciousness and give us back the free energy (zero-point energy) that fell into the [wrong] hands back then, namely those of the cabal behind the curtain.The insider scientists who are advocating for disclosure have been disappearing with striking frequency lately or are said to have committed suicide.
It is precisely this “peek” behind the (smoke) curtain—for those who navigate life with their senses rather than acting as “consumers of pre-packaged narratives”—that brings us face-to-face in this film with that Wizard of Oz, who is immediately recognized as the “Emperor with No Clothes.” We spotted a very funny reference to that “emperor” flash by in the film toward the end; as all the news channels in the world reveal and spew out the secrets “Daniel” has uncovered via countless screens in one massive control room, there is a screen in the bottom right corner of the frame that reads “Rockefeller Plaza” in this “nerve center” of the global media. A moment later, it briefly appears on screen again. That’s classic Spielberg to me; with an eye for detail.
For us personally it is clear that Spielberg not only has an obvious fascination with our extraterrestrial friends, but also possesses knowledge of the secret files that are currently surfacing from the depths of the cover-up to reveal themselves. We see this fascination abundantly reflected in his earlier films such as War of the Worlds (2005), ET the Extra-Terrestrial (1982), and Close Encounters of the Third Kind (1977). The latter film may have already confirmed our suspicions that Spielberg had prior knowledge of—or access to—classified (i.e., strictly confidential CIA) files. And now it seems that Spielberg—as he himself literally states—wanted to express his ultimate desire to reveal the truth to the entire world all at once in Disclosure Day. In doing so, he supports—especially given the timing—Dr. Steven Greer’s Disclosure movement in collaboration with the U.S. government. (We're also secretly looking toward Japan) ;-)
Armed with a VIP pass, Steven Greer attended the preview screening and offers detailed commentary on the film and its content. See the video without Dutch subs here.
And as far as we're concerned here, Dr. Greer is absolutely right when he says, “We need a ‘Daniel’ too!”
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